It is such a pathetic attempt to sell the new 50 Cent video games only a child would think this was a good idea. But portraying Jada as a ninja turtle was an especially adolescent choice in this vapid, worthless video. Fat Joe gets beat up in a boxing ring/boxing video game (it’s irrelevant, both worlds are seriously lousy-looking). It’s all a joke I don’t understand how anyone could ever take it seriously.
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He calls out Jadakiss and Fat Joe especially, and does a number on both of them in the video. The lyrics are classic Fiddy, from the school of “How to Rob”. I give it to 50 for ably rapping over this imposing rock operatic beat by Needles and Sha Money XL. “Piggy Bank” features funky polygonal versions of G-Unit in the same low-budget, 3-D animation style they use on the late-night mattress warehouse commercials. This video in particular, is so fucking bad that it deserves a bit of extra attention. So The Massacre: Special Edition is the same album, but with a DVD featuring videos for every single song, including the drop-dead ridiculous video for “Piggy Bank”. Granted, The Massace doesn’t need to be any longer than it already is, unless they could have somehow put the G-Unit remix of “Still Tippin” on here, or some footage of 50 talking to Young Buck about the Game. There’s no remixes, no documentaries, just the rap videos. The story of today is much simpler: the repackaging, bonus-added “special edition” of the latest album, featuring a DVD’s worth of promotional videos and no extra songs (there’s actually one less song than the original version and the “collector’s edition”, both released in March of 2005). How did he do it? Another time, another place, someone else. 50 has set landmarks for sales, entrepreneurship, competitiveness, and celebrity. Suffice it to say, 50 Cent is probably the most successful rapper in the history of the genre because, like Jay-Z, he isn’t afraid take shots at other rappers in his rhymes. Not since LL has hip hop seen so much beef, and never before has beef made so much dough. The best way to understand the trajectory is to simply listen to 50’s breakthrough track “How to Rob”, and see how little has changed in the music and how much has changed in the man. records, Ja Rule’s gangsta rap label that Fiddy alleges (as do police) was part of McGriff’s money laundering operation. He was banned from recording studios across America for snitching on a couple of Queensbridge’s most feared gangsters, including Kevin “Supreme” McGriff, in his track “Ghetto Koran”, revving up a longstanding dispute between Fiddy and Murder Inc. This was an artist completely blackballed by his industry before most people had even heard of him, before Eminem signed him. But in his case, we at least know that the path to his success has one too many beefy digressions. Everyone is still trying to figure out how Madonna got there, let alone Fiddy.
#50 CENT MASSACRE TORRENT CRACK#
To retrace 50 Cent’s career path from street-posted crack dealer to his present-day status as rap’s Sith Lord - his crazy-unprecedented inaccessibility in the Fort Knox-like inner sanctum of musical mega-stars - is impossible to sum up easily in a sentence or two. “There is, for the small man living unobserved, no iniquity that he will not carry through to the limit if he sees a true man he turns and takes cover, hides his iniquities, sticks out his merits, but the other fellow sees the significance of this as if he saw into his lungs and liver what is the good of his faking, what dish does it cover?”
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